Resources

Click here to go to this research website dedicated to the history of the Provincetown Players and their plays, curated by Jeff Kennedy

Click here to go to this research website dedicated to the study of Eugene O'Neill and his career

Click here to go to the website for the academic society dedicated to work of Susan Glaspell

Click here to go to the website for the academic society dedicated to the work of Eugene O'Neill

Click here to go to the website for this foundation dedicated to the work of O'Neill at the site of his former home, Tao House, in Danville, CA, which is also is also maintained by the National Park Service

Click here to go to the website for this society dedicated to the work of poet and playwright Edna St. Vincent Millay and her home Steepletop in Austerlitz, New York

“Susan Glaspell and Eugene O’Neill.” Literature in Context: Susan Glaspell, J. Ellen Gainor, ed. Cambridge University Press, Fall 2023.

“Kyra Markham: An Introduction,” Eugene O’Neill Review, Vol. 43, No. 2 (2022).

“Kyra Markham: Letters to Louis Sheaffer (1962-63),” Eugene O’Neill Review, Vol. 43, No. 2 (2022). Jeffery Kennedy, annotation, edited by Alexander Pettit.

“Provincetown Players” & “The Masses,” 20th Century & Contemporary American Literature in Context, L. De Roche, ed. ABC-CLIO (2021)

“O’Neill’s Tragic Vision,” Visions of Tragedy in Modern American Drama, David Palmer, ed. London, Bloomsbury (2018).

“Fitzi, True Believer: The Legacy of M. Eleanor Fitzgerald,” Eugene O’Neill Review, Vol 38.1 & 2 (2017).

“The Gelbs and their Lifelong Journey with O’Neill,” Eugene O’Neill Review, Vol 37.2 (2016).

“Tragic Vision of Eugene O’Neill,” Text and Presentation, Vol 12 (2015)

“Playwright of the Modern World: Eugene O’Neill in Context,” Eugene O'Neill (Critical Insights), Steven F. Bloom, ed.  Hackensack, NJ, EBSCO/Salem Press (2013).

“Exorcism: The Context, the Critics, the Creation and the Discovery,” Eugene O’Neill Review, Vol 34 (2013).

“The Playwright's Theatre: O'Neill's use of the Provincetown Players as Laboratory,”  Eugene O'Neill's One-Act Plays: New Critical Perspectives, Michael Bennett and Benjamin Carson, eds., New York, Palgrave Macmillan (2012).

“Probing Legends in Bohemia: The Symbiotic Dance between Eugene O’Neill and the Provincetown Players,” R. M. Dowling & E. Hermann eds., Eugene O’Neill and His Early Contemporaries, Bohemians, Radicals, Progressives and the Avant Garde, Jefferson, NC, McFarland Press (2011)

“Experiment on Macdougal Street: The Provincetown Players’ 1918-1919 Season,” Eugene O’Neill Review, Vol 32 (2010).

“The Provincetown Playhouse,” R. M. Dowling ed., Critical Companion to Eugene O’Neill, Facts on File (2009).

“Desire Under the Elms in the 21stCentury,” Eugene O’Neill Review, Vol 31 (2009). 

The Provincetown Playhouse, A Legacy Continues, New York: New York University Press (1998).

Long Day’s Journey into Night at Rogue Theatre, Tucson, AZ. Eugene O’Neill Review (2020).

Ah! Wilderness at Goodman Theatre. Eugene O’Neill Review (2018).

Book Review: “Eugene O’Neill: The Contemporary Reviews,” Journal of Dramatic Theory and Criticism, Vol 30.2 (2016).

The Iceman Cometh at Brooklyn Academy of Music. Eugene O’Neill Review, 37.1 (2015).